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Posts Tagged ‘taylor swift’

Basically everyone I know thinks I am trolling — or at the very least, deluded — when it comes to Taylor Swift.

Blogs I like reading (Vulture), people I like talking about music with (Linus), and many rock critics whose opinions I respect (the Sound Opinions guys) all consider her somewhere between dime-a-dozen pop demi-star and airbrushed garbage.

Thus, I feel I should lay out my defense of Swift, as well as explain some theories behind her mainstream appeal.

Swift’s music grows out of the ’90s suburban country music era — Shania Twain, Leann Rimes, et al. — in which country music, like so many “rural” trappings (stock car racing, SUVs, and cowboy boots), became mainstream. That’s not to say that country was without crossover before; certainly, Dolly Parton and Patsy Cline achieved success on the Billboard charts. Nevertheless, the suburban country-pop of the ’90s was epitomized by Twain’s particular brand of feminism, emotionally charged lyrics, and overall smoothness that appealed to a suburban crowd — fitting for the gal from Windsor, Ontario. It’s no surprise that Swift cites Twain as her “biggest influence.

As rougher Southern artists, who might have been country artists in another era, gravitated towards rock (My Morning Jacket, Drive-by Truckers, Black Crowes, Band of Horses, etc.), country became dominated by the slicker sound of the suburban country star.

Enter Swift, 12 or 13, recording demos and trying to write songs. At age 14, sitting in math class, she starts writing her first hit single, “Tim McGraw,” the kind of bittersweet love song that teenagers love to write and listen to. The difference is that Swift’s songs are both honest and evocative, showing an in-depth knowledge of the construct of the country pop song. This aspect is important when viewing Swift’s pop-star rise; her gift is primarily as a song-writer, not a singer. RCA’s original deal with her kept her from recording on her own, and Nashville establishment first recognized her for her song-writing. She brings to mind the young song-writers of the Brill Building — Neil Diamond, Goffin and King, Burt Bacharach — churning out pop songs.

Lyrical analysis after the break!

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